Through art, I hope to cultivate a sense of belonging and interdependence in uncertain times and offer glimpses of joy, complexity, and connection amid ecological and social rupture. .

My work explores the layered relationships between people, place, and the patterns that echo across ecosystems and generations. Rooted in the landscapes of the Salish Sea and shaped by my life rooted in rural communities, my practice seeks to erode the perceived boundaries between self and place. I’m drawn to edge spaces—estuaries, forests, volcanic slopes—where transformation happens, and the tensions of liminality can flourish. 

Materials matter deeply: I use wool, reclaimed materials, and tactile processes like needle felting, rug hooking and skinnfeller to honor the embodied knowledge of ancestral crafts, and to resist the disposability embedded in industrial culture.